Tuesday, March 11, 2008

Electric Church


Most notably remembered for being the flamboyant drummer in Hendrix's Band of Gypsys, Buddy Miles died two weeks ago. I thought it fit to give a tribute. In addition to being 1/3 of the shortlived Gypsys, George "Buddy" Miles had also played with the likes of Wilson Pickett, Mike Bloomfield, John McLaughlin, George Clinton, Carlos Santana, and Bootsy Collins. When asked how he wanted to be remembered, his response was this:

"The baddest of the bad. People say I'm the baddest drummer. If that's true, thank you world."

I think that says it all. Here's one of his very best. "Them Changes" is now part of Clapton's set on tour as a tribute. It is rumored that Buddy heard Clapton playing it through his cell phone the day before he died. Whether true or not, thats pretty damn cool.



The Band of Gypsys (live 1970): Changes



King Curtis (also live 1970): Them Changes


Friday, February 22, 2008

The Boognish is back




The crazy, scotchguard huffing, blue blazing, kids are at it again. Although they're not kids anymore, they are still 'painting the town brown' as they say. And as the jazz/jam style single "Your Party" keeps on getting radio play (at least on Sirius), Gene and Dean Ween still refuse to be grouped into any genre whatsoever. They return on this, thier latest release "La Cucaracha", with an album that spans almost every type of music the band has ever been a part of. In classic Ween style, it mixes equal parts rock, reggae, bluegrass, mexi-folk, techno, jazz, jam, and slow jam into an album that you can listen to front to back. It's definately one of those albums that will keep growing on you. Pick it up if you get a chance.

check it:





(explicit lyrics)


download: your party





ween has always been awesomely wierd. this is a great pic






Sunday, January 6, 2008

Asphalt Road


Sorry about the lack of posts.

Pavement. The ground that we walk on. A fitting name for a band that dominated the indie rock scene of the early 90's and, shall I say "paved" the way for many indie bands today. They were a fiery ball of energy and feedback. Their creative, powerful sound, accompanied by frontman Steven Malkmus' playfully witty lyrics, defined the lo-fi, noise pop genre. Here's a couple of ditty's from a band whose songs never seem to get old.


One of my favorite songs of all time.



another great one from Crooked Rain Crooked Rain



check out this live cut from the Palace in Hollywood circa 1994



Thursday, December 13, 2007

The Mix-Up



Keeping on the Jewish kick, I freakin love the Beastie Boys. We're talkin about three jewish white guys from NYC who took the rap world by storm in the mid 80's. First criticized by critics and hip hop musicians for being cultural pirates of sorts (especially because of thier beginnings as a punk band in 1981), the Beastie's forged their own way and created a new post-punk, funky, psychadelic, pop, hip-hop sound that influenced a generation. Liscence to Ill was a surprising hit that paved the way for what I believe to be their best album, Paul's Boutique. And although this LP did not recieve the accolades as its predecesor (in addition to it being a completely different sound), it did produce the ecclectic, freewheeling style that they are now known for. Check Your Head, Ill Communication, and Hello Nasty followed and were equally awesome and influential. They also released a jazzy, funky, exploratory instumental album in there called The In Sound From Way Out which I thought was great.


This leads me to thier new release, The Mix Up, which to be honest, I'm surprised hasn't gotten more attention. Also an instrumental album, it showcases the BBoys musical skills, as they flow through numerous catchy grooves, and endless jazz and funk fused rhythms. There's even a touch of reggae thrown in there. Great music to just chill, or be putzing around the house to. check it.


download: B For My Name


download: Off the Grid




Couldn't post some Beastie's with out one of the classics. Here's one of my favorites off of Paul's Boutique:

download: Car Thief

Tuesday, December 11, 2007

Festival of Light and Dead


Happy Hanukkah!


Before all the hoopla begins for the Christmas music phenomenon, lets celebrate Hanukkah. But alas, there are not many songs for the festival of light (besides the Hanukkah Song penned by none other than Adam Sandler, but that's been played out). So intead, I thought I'd bring you a story.

I recently recieved this story from my uncle Jay and it really made me think.

"Once in a while you get shown the light in the strangest of places if you look at it right".


Very eloquent words from a master of his craft. Think about it and you will realize that it is an endlessly positive message. Perfect for the Hanukkah season. Even in the darkest time of the year, there's always a light. So in response to this, I went searching for my favorite version of Scarlet Begonias. I sieved through endless bootlegs and archival releases to inevitably fall back on this version from the Dead's infamous show at Cornell University's Barton Hall. You can just feel the energy oozing from this cut. There's no denying for me that this show is my all-time favorite, and it is also known universally as one of the Dead's best live performances. Ever. The tone, timing, and emotion are all flowing in unison on this night and the band is really 'hitting the note'. Love it. Live it. Here it is from Ithaca, NY on May 8th, 1977:



Plus, as my uncle Jay put it, "Just goes to show, we are everywhere. Jews and Deadheads!"




Monday, December 3, 2007

Dub Mule


Praise to the most be high. Mighty High.
The recently released Mighty High, from the likes of the longstanding legends of the jam band scene, Gov't Mule, is a solid, refreshingly cool album (herb not included). It has beed drawn straight from the vein of the Easy Star All-Stars' Dub Side of the Moon and more recent Radiodread albums. This classic, dub style, dub wise LP comes as a welcome surprise for Mule fans, who know that dubbed out, reggae infused jams are a staple of thier live shows. Mule invokes the inner Rastafari, so be sure to roll your own.
download: I'm a Ram
You've got to love the 1st track, the Al Green classic, I'm a Ram, which by the way was the original recording, taken from the High and Mighty sessions. Apparently, latenight, during the 1st take of this song, lightning struck the studio (unbeknowest to the band). Upon entering the control room they were informed that the tape machine and bass amp were damaged in the process. As a result, they could not record it again, nor could they listen to what they just recorded! Pretty crazy. They took that as some sort of sign and decided to not take any more takes.
Rebel With a Cause is a special dub mix of Mule's "Unring the Bell", featuring vocals and lyrics by reggae legend Willi Williams. This is great, especially because, Willi's 1978 smash hit single, Armagideon Time, is a Mule cover waiting to happen.
They also play a rich version of the Band's The Shape I'm In. Originally recorded as their contribution to The Band tribute album Endless Highway, this was a natural addition to Mighty High. The band took a completely different approach to the song, resulting in a funky, creole style, psychedelic acid jazz boogaloo jam featuring Danny Louis on trumpet. awesome.
download: Play With Fire
The Rolling Stones' Play with Fire sounds like Lee Scratch Perry was doing the mixing, the production is stuffed with so much of his classic dub stylings. It was recorded at the Beacon Theatre during the "Dub Side of the Mule" show on 12/31/06. Michael Franti's freestyle vocals were taken from his guest appearances with Gov't Mule at Bonnaroo and Mountain Jam. Fire is the theme. They do a great job.
So sit back, relax and let the irie vibes take control.






Tuesday, November 27, 2007

Straight from the Garden state


I remember catching a band called From Good Homes in Waterloo Village, NJ back in 1998. These local northwest NJ cats were huge around the area but also hit it fairly big nationally around the same time. Unfortunately, the band was around for only a couple more years and broke up in early 2001. What emerged following was the creation of a jam/bluegrass supergroup of sorts called Railroad Earth. The group balanced the edge of traditional bluegrass and the jamband tradition to produce an eclectic combination of folk, rock, and jazz; all with a bluegrass feel. With frequent stints at the Telluride Bluegrass Fest, High Sierra Music Fest, as well as the Fox Theater in Boulder, CO, Railroad Earth manifested that they were a band to be reckoned with. The band released the live “Elko” in 2006 and this effort really revealed the high energy and amazing musicianship that their live shows can bring. Got a chance to catch them for a third time last night at the Sherman Theater in East Stroudsburg, PA. Awesome show.